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home about all over the map: true heroes of texas music austin clubland before austin contact east side stories history of black gospel road apples secret history of austin music shit street memories sportswriting sxsw texas gospel’s holy trinity welcome to mediocre, texas categories categories select category austin austin-zeitgeist featured gospel music sports texas music history uncategorized tags blogroll top posts & pages blaze foley: killing of a songwriter vidor, texas 1988 history of black gospel austin clubland bob's burden sound and color: king vidor's 'hallelujah' 20 most significant nights in austin music history austin's secret: killing in the classroom 1978 east side stories about sound and color: king vidor’s ‘hallelujah’ posted by mcorcoran on august 11, 2018 quite ironic that the first hollywood movie to offer a realistic, sympathetic depiction of life as an african-american in the 1920s was written and directed by a man whose father c.s. vidor is the namesake of the most notoriously racist town in texas. “for several years i had nurtured a secret hope,” film director king vidor started chapter 16 of his autobiography a tree is a tree . “i wanted to make a film about negroes. using only negroes in the cast.” king vidor , whose entry in the film world was filming the 1909 hurricane in his native galveston for newsreels, had grown up around blacks employed at his father’s east texas lumber camps. he would poke his head into their churches and their juke joints. “the sincerity and fervor of their religious expression intrigued me, as did the honest simplicity of their sexual drives. in many instances the intermingling of these two activities seemed to offer strikingly dramatic content.” king vidor of galveston was the first president of the director’s guild of america. vidor’s hallelujah (1929), which explores the forces of sin and salvation in the african american experience, didn’t have a chance to be made until the advent of sound pictures, or “talkies,” with 1927’s the jazz singer . vidor’s earlier pitches for an all-black cast film were shot down by studios who argued such a picture would never play in the theaters of the south. but with the popularity of spirituals and jazz, plus spectacular scenes of river baptisms and juke joint dancing, mgm finally greenlit the picture. also, vidor agreed to forgo his $100,000 salary until the movie made money. “if that’s the way you feel about it,” said mgm’s parent company ceo nicholas schenck, “i’ll let you make a movie about whores.” vidor spent several weeks on the script, then went to new york city to scout talent. daniel haynes, who was jules bledsoe’s understudy in “show boat,” and 16-year-old nina mae mckinney- a standout in the chorus line of blackbirds of 1929 revue- were hired as the male and female leads. also in the cast is singer victoria spivey of houston. during pre-production in memphis, where most of the film was shot, three boys, going as sears, roebuck & poe, danced in the lobby of the peabody hotel for tips and when vidor saw their act he hired them on the spot. the dramatic swamp scenes of the movie were shot in west arkansas. hallelujah was vidor’s first sound picture, but because mgm couldn’t spare a sound truck for a month in memphis, it was filmed silent and then all the sound was dubbed in later. the synchronicity is bad in spots. also, studio head irving thalberg had irving berlin write a song, “end of the road,” and added it to the film without vidor’s knowledge or approval. it was the one sore spot of vidor’s passion project. only one theater in the south, in jacksonville, fl, screened hallelujah . it never showed in texas or arkansas, where c.s. vidor also owned lumber camps, during its original run. financially, the film was a flop and vidor never received a penny for it. but today it ranks up there with the big parade (1925), the crowd (1928), our daily bread (1934), stella dallas (1937), an american romance (1944), duel in the sun (1946), the fountainhead (1949) and ruby gentry (1952) as one of the top creative achievements by the greatest film director texas ever produced. posted in uncategorized | tagged: hallelujah , king vidor , nina mae mckinney | leave a comment » stewed, screwed and tattooed: the selling of sailor jerry posted by mcorcoran on may 20, 2018 by michael corcoran. dec. 2014. imagine if there was a company making babe ruth rum and babe ruth clothing and babe ruth iphone covers and using iconic images of the baseball legend in all sorts of manners. much wealth is built on dead cash cows- it’s the capitalist american way. but what if the family of babe ruth was never contacted before the market became flooded with images of their husband or father? what if they never received a dime? sailor jerry collins is to tattooing what babe ruth is to baseball, a giant in the field who’s become the embodiment of “old school.” he was certainly a mythic figure in my young adulthood of the mid-1970’s after i came under the influence of mike malone and kate hellenbrand, the couple who bought sailor jerry’s shop in 1973, after collins died at age 62 from a heart attack. a true american patriot, who tried to re-enlist at age 30 after the 1941 attack on pearl harbor, but was turned down because of a heart condition, sailor jerry hated the japanese for what they’d done on that december morning. but he also had a passion for far eastern art and philosophy, revolutionizing tattooing in the 1960’s by adapting the traditional japanese tattoo art form to western motifs. before jerry, “tattoo artist” was considered an oxymoron in most circles. this was carny stuff. sailor jerry was among the first to document his tattoos by taking photographs, among the first to market tattooing to women. his clientele was about 90% military men- and he created the macho “decal” designs that would send them off to war a little braver- but he also tattooed elaborate, conceptual back pieces and sleeves, which made him the mentor for next generation tattooists ed hardy, cliff raven, michael malone and zeke owen. in the year sailor jerry died there were maybe 500 tattoo artists in the world. in 2014, there are at least 500 in central texas. “in the beginning there was norman ‘sailor jerry’ collins, father of the old-school american tattoo. then a clothing company was created to protect and sustain his legacy,” say the first sentences in a recent press release announcing that iggy pop was now part of the sailor jerry ltd. design team. i came in during the 25 years between those two sentences. but even though i never met the man, i heard enough stories to know that sailor jerry would’ve hated having his name associated with sneering punk rockers and flocks of young dummies with disposable incomes. the way his name, image, philosophy and art are used to hawk all sorts of products, from spiced rum to skateboard sneakers, is a fame that would’ve probably sickened sailor jerry, who used to refer to publicity-seeking tattoo artists like lyle tuttle as n.k. “sailor jerry” collins circa 1972. photo by kate hellenbrand. “prosta-tattoots.” the real sailor jerry- yes he was an actual person, not some bunyonesque folk hero who tattooed to the misfits- hated hippies and liberals. he played big band saxophone and railed against the government on an overnite radio show, which he hosted for several years as “old ironsides.” the hawaiian islands were “the hemorrhoids of the pacific.” the underground rumblings at punchbowl cemetery on the island of oahu have no doubt moved the earth in recent years as the proudly conservative man buried there has become a hip lifestyle brand. but the richter needle would’ve jumped with the claim from jerry’s widow louise collins that she never gave permission for those uses and has been bypassed by the proceeds. austin filmmakers angela lancaster and paul galvan trekked to honolulu recently while shadowing shanghai kate hellenbrand, “the godmother of american tatto

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Whois Information

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Domain Name: MICHAELCORCORAN.NET
Registry Domain ID: 1668588914_DOMAIN_NET-VRSN
Registrar WHOIS Server: whois.dreamhost.com
Registrar URL: http://www.DreamHost.com
Updated Date: 2018-06-23T07:38:07Z
Creation Date: 2011-07-24T17:29:33Z
Registry Expiry Date: 2019-07-24T17:29:33Z
Registrar: DreamHost, LLC
Registrar IANA ID: 431
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Registrar Abuse Contact Phone:
Domain Status: clientTransferProhibited https://icann.org/epp#clientTransferProhibited
Name Server: NS1.DREAMHOST.COM
Name Server: NS2.DREAMHOST.COM
Name Server: NS3.DREAMHOST.COM
DNSSEC: unsigned
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>>> Last update of whois database: 2019-05-07T20:43:54Z <<<

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  REGISTRAR DreamHost, LLC

SERVERS

  SERVER net.whois-servers.net

  ARGS domain =michaelcorcoran.net

  PORT 43

  TYPE domain

DOMAIN

  NAME michaelcorcoran.net

  CHANGED 2018-06-23

  CREATED 2011-07-24

STATUS
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NSERVER

  NS1.DREAMHOST.COM 64.90.62.230

  NS2.DREAMHOST.COM 208.97.182.10

  NS3.DREAMHOST.COM 66.33.205.230

  REGISTERED yes

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